You’re at the club — but this one is for everyone.
“Katma” is Sudanese slang for “suffocation” or “no room to breathe” — a word that captures the charged intensity of an underground dancefloor. Created and directed by Azzam Mohamed (Sculptured Riddims, Sydney Festival 2024) with the
Katma team, this immersive performance channels that frenetic energy, drawing inspiration from Sudanese and Australian party scenes as well as legendary dance spaces like The Loft in New York. Developed from its Western Sydney base at PYT Fairfield, the work reflects the inclusivity and energy of the community it was born in.
With no seats and the dancefloor at its centre,
Katma
unfolds as a living club ritual. Seven dancers move through a dynamic fusion of street and club styles — breaking, hip-hop, krump, waacking, locking, house, and Afro dances — shifting between solo expression and collective rhythm as the room fills with movement and sound.
In acknowledging the origins of these forms, the
Katma creatives extend gratitude to the communities who birthed them — the African diaspora, Black and Latino communities, and the LGBTQIA+ underground. The work celebrates dance as a shared language: a space where rhythm, movement, and presence transform a room of strangers into something electric.
Part performance, part dancefloor,
Katma
invites audiences to step inside the energy of the club — to witness, move, and feel the pulse of a living culture.
Official Katma After Party
Saturday, June 20 (9 pm - 11:30 pm)
Please do not be alarmed, remain calm. Do not attempt to leave the dance-floor. House of Sole, Kwasi Obeng-Adjei, the company of Katma and guest performers, carry the pulse of the performance into the night, building a living club ritual shaped by house, hip-hop, funk, and Afro diasporic sounds culminating in a DJ set from Katma’s Chika.
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