Caitlin Wood

Alberta born soprano Caitlin Wood was “absolutely vibrant” in her 2017 debut as Susanna in Marriage of Figaro with Vancouver Opera and showed “exquisite vulnerability” as Ava in the world premiere of Missing (Current/Clements) with City Opera Vancouver). Caitlin won praise as the godlike Controller in Vancouver Opera’s recent Flight, “effectively navigates the dizzyingly stratospheric vocal writing”. Caitlin begins her 2025 season in British Columbia, touring with “The Music of the Night” showcasing musical favourites from Andrew Lloyd Webber’s iconic musicals. In Montreal, Caitlin performs excerpts from Miss Chief Cycle, a new opera by Dustin Peters, based on paintings by Kent Monkman. Caitlin sang the role of Ava in Missing: in Concert (Current/Clements) at the Toronto Summer Music Festival and is featured on the CD of this powerful chamber opera that gives voice to missing and murdered Indigenous women and girls.
Upcoming and recent performances include Messiah with Chorus Niagara and Bach’s St. John Passion with Regina Symphony Orchestra, Carmina Burana with Ottawa Choral Society, The River of Light (Current) with Vancouver Bach Choir, and Mozart’s Requiem with Windsor Symphony Orchestra. Caitlin was “bright, edgy, alluring” in the title role in The Coronation of Poppea with Washington D.C.’s INSeries Opera.
Operatic roles include Despina (Cosi fan tutte) Comtesse Adèle (Le Comte Ory) Josephine (HMS Pinafore), Johanna (Sweeney Todd), The Housewife (Gould’s Wall), and Clorinde in La Cenerentola. In 2026, Caitlin stars as Susanna in Le Nozze di Figaro with Manitoba Opera.

10 Days in a Madhouse